Art: Wooden Priests, Painted Dragons

In ancient China, wood was classified as an element, one of the irreducible components of the universe, along with air, fire, water and earth. It was also an element of society. There, and even more so in Japan, civilized life was inconceivable without wood, which furnished a world of artifacts, from the largest temple to the smallest lacquered box.

The nature of wood—its grain, luster, density, color and growth—is one of the material obsessions of Oriental art. Of all substances from which sculpture could be made, wood was the closest to life. But other...

Want the full story?

Subscribe Now

Subscribe
Subscribe

Learn more about the benefits of being a TIME subscriber

If you are already a subscriber sign up — registration is free!