A totalitarianism of structure
Largely ignored by critics outside Europe, the most important cluster of modern art exhibitions the world has seen this year is running (until Oct 16) in Berlin. "Trends of the Twenties," set up by the Council of Europe, contains four exhibitions: some 3,000 paintings, drawings, sculptures, photos, models' posters, documents and every imaginable sort of artifact, from a suprematist teacup by the pioneer Russian abstractionist Kasimir Malevich to a Bauhaus gramophone. The exhibition catalogue is as thick as a brick; one needs persistence, but is richly rewarded. For "Trends...
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