Get Carter is a doggedly nasty piece of business made in blatant but inept imitation of Point Blank. While the violence in Point Blank defines some surreal and chilling points about the savagery of contemporary urban life, the mayhem in Get Carter is a gruesome and almost pornographic visual obsession. Fledgling DirectorMike Hodges clearly hoped to put together a jazzy paean to the classic detective story; the film's protagonist, in fact, is shown in a couple of scenes poring over a copy of Raymond Chandler's Farewell, My Lovely. But Hodges seems to have learned more from Mickey Spillane.
The plot is insanely...
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