As a man of the theater, Peter Brook is more of a general than a visionary. A brainy and restless director, he rules his actors like a task-force commander, dispatching them on missions of dramatic explorationmost notably in his production of Marat / Sade. In a new book, The Empty Space, Brook displays himself as a man in the ironic position of being grafted to the theater while finding most of it lifeless. Based on a series of four lectures that he delivered to English university students, the book is divided into four sections: "The Deadly Theater," "The Holy...
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