Cinema: Where Black Is Too Beautiful

Where Black Is Too Beauiful

"I want a continuity of beautiful pictures and beautiful movement," insisted Photographer Gordon Parks about his first feature film, The Learning Tree. "I try to start each scene with a beautiful still photo and end each scene with a beautiful still photo." Indeed, there are many images of startling beauty in Parks' film, like the dappled summer light shining through the trees on a country lane. The Learning Tree's major problem is not with pictures but with people.

Adapting his own 1963 autobiographical novel about growing up as a black...

Want the full story?

Subscribe Now

Subscribe
Subscribe

Learn more about the benefits of being a TIME subscriber

If you are already a subscriber sign up — registration is free!