Not since long before the war had Paris had so brisk and booming a theater season. Fifty-two legitimate plays, most of them sellouts, were nightly on the boards, and there was a rash of musicals. Cracked Les Lettres Françaises: "The number of theaters will soon exceed les bars americains."
Amid all this bustle, it remained for a 23-year-old U.S. musicomedy to attract, fortnight ago, the season's glossiest first-night audience and its loudest cheers. Tout ParisMarlene Dietrich, Mistinguett, Jean Gabin, Lucien Lelong, many anotherswarmed to No, No, Nanette, stayed on for 18 curtain calls.
By last week Nanette was the smash hit of the...