Cinema: The New Pictures: Feb. 29, 1932

Shanghai Express (Paramount). The scene wherein the heroine feels called upon to sacrifice her honor to the villain in order to save the man she loves has occurred so frequently in the cinema that it can be regarded as a more rigid pillar of the industry than Mr. Zukor, Mr. Lasky or Mr. Hertz. But Shanghai Express is" a picture of the new school, and when Marlene Dietrich promises Warner Oland to visit him at his castle if he will refrain from destroying Clive Brook's eyesight with a red hot poker, you will not...

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