Carnival. Meet Mr. Molnar; meet the Charles Frohman Company; meet Miss Elsie Ferguson. Almost any evening you may meet them coming in a body out of the Cort Theatre with their baggage in hand. For these three, famed for consistent and successful ability, have collaborated in one of the foremost failures of the season.
Miss Ferguson seems least at fault. A trifle less lissome, perhaps, than in her earlier days, she is still the corporeal substance of a vision; still plays with the grace and subtlety that made her famous. Mr. Molnar wrote an intricately interesting study of a woman wild to...
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