When Ingmar Bergman exports a film, he often exports Ingrid Thulin too. She was the somber daughter-in-law in Wild Strawberries, the agonized wife of The Magician, and the plain and neurotic schoolmistress in Winter Light. Now she is the deviate sister in Bergman's new film, The Silence.
From behind the eyeglasses of Winter Light and the pervasive gloom of all these characters, the girl who steps out is a natural blonde with bright blue eyes, a large mobile mouth, and a smile that is not quite too cool to be overpowering. She...
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