In the salons of haute couture in Paris last week, buyers and fashion editors from all over the world got their first look at the color and shape of the spring linesand found themselves looking backward. The new look was the old look of the F. Scott Fitzgerald flapper in the 1920s. Skirts and coats were straight, short, with hemlines flaring. Shoes were square-toed. Bosoms were flat, backs bent and billowing, with designs that required the mannequins not only to slouch but virtually assume the posture of an expectant, concave catcher's mitt....
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