From time to time, some richly imaginative columnist likens Club Singer Enzo Stuarti to the late Mario Lanza. But the comparison is fair to neither man. Lanza had a voice of genuine operatic dimensions, and he misused it sadly. Stuarti has a voice of cocktails-and-dancing dimensions, and he makes the most of it.
With the aid of electronic amplification, it has a vibrant power reminiscent less of Lanza than of Tony Bennett.
Only the formula is Lanza'sa mixture of show tunes, sentimental Italian love songs and an occasional operatic aria. At Luigi's nightclub in...
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