AN aura of epic (and of late, cinematic) drama hovers over the struggles, achievements and major breakthroughs of such 19th century greats as Van Gogh, Gauguin, Toulouse-Lautrec and Cezanne, on whose vision modern art largely rests. Less known but of no less importance was Georges Seurat, born in 1859, who made it his goal to weld science and art into a technique of dot, dab and stitch strokes that would not only challenge the glowing canvases of the impressionists but be a compendium of what was known in his day of optics, color and...
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