WASHINGTON'S Pan American Union quietly put on view last week an exhibition calculated to raise the roof. The work of a passionate, plump and indefatigable Ecuadorian Indian named Oswaldo Guayasamin (pronounced guy-yah-sah-meait, and meaning, in Inca. "white bird flying"), it was as powerful as any painting to come out of South America in modern times. Guayasamin, 35, once studied with Mexico's late master of mordantly bitter painting, José Clemente Orozco. He has a similar social consciousness, amounting to aching rage at man's inhumanities, and a similar range of techniques, from abstraction to hammer-blunt realism.
Guayasamin's subject matter, Ecuador, is all his own....
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