(See front cover) Any exhibit opening in the wake of the enormously popular van Gogh show at Manhattan's Museum of Modern Art was bound to begin with an initial handicap. As if this were not enough, the Museum's discreet directors last week placed two additional handicaps upon the first comprehensive showing of one of its finest gift collections, simply because the Museum's principal benefactor happens to have a great name and a great modesty. Handicap No. 1 was encountered on the first floor in the form of a gigantic portrait of beefy,...
To continue reading:
or
Log-In
