Once a Thief spends much too much time establishing the sexual compatibility of its two stars: Frenchman Alain Delon, who rates as a kind of male Bardot, and Hollywood's Ann-Margret (Bus Riley's Back in Town), who proves once again that it was good looks, not good acting, that made her the outstanding young box-office attraction of 1963-64."
As soon as the lengthy love scenes are out of the way, the story gets clicking. Alain is a nice young ex-con trying to straighten out with the help of Wife Ann-Margret but with no help at all from his gangster brother. First thing...
To continue reading:
or
Log-In
