The Hays Office, and the Hollywood Production Code it used to administer, are institutions as quaint and dated as Busby Berkeley musicals and brown-and-white shoes. Yet their demise and the present attempt to replace them tell a good deal about American show business—and therefore about American mores.
The code was designed in 1930 to keep actors and actresses out of bed—on the screen. It seemed like a good idea at the time, for movies were as sex-conscious as the films coming out of Sweden today. But the production code launched an era of...
To continue reading:
or
Log-In
