A major preoccupation of modern sculptors has been, in effect, beating Rodin shapeless. The nude ballooned and blimped at the hands of Gaston Lachaise; man shrank under the chisel of Giacometti as if roasted overnight; Henry Moore punched holes through their stomachs. The products were monumental, surrealistic, but withal still related to the human figure. Somebody was bound to get tired of doing it.
Such a fellow is Britain's Anthony Caro, 42, whose works suggest an explosion in a boiler factory. His Month of May, a star attraction at London's current sculpture...
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