Time was when violin playing delighted the eye as well as the ear. According to an awed contemporary, the great Italian Virtuoso Arcangelo Corelli (1653-1713) startled his audiences with eyes "as red as fire" and eyeballs that rolled in agony. The legendary Paganini (1782-1840) was accused of deliberately playing on frayed strings so that when one snapped he could display his virtuosity on three. But times have changed. Last week, in Manhattan's Carnegie Hall, one of the world's great violinists walked to the center of the stage, took measure of the audience...
To continue reading:
or
Log-In
