On the Beach (Stanley Kramer; United Artists) is a Hollywood vision of the end of the world. It is trumpeted as "the biggest story . . . The single most important film of our time." Last week it had a "Global Premiere," i.e., a simultaneous opening in 17 cities from Melbourne to Moscow. Alas, the version of the Nevil Shute chiller (TIME, Aug. 19, 1957) that Stanley (The Defiant Ones) Kramer has produced and directed turns out to be a sentimental sort of radiation romance, in which the customers are considerately spared any scenes of realistic horror, and are asked instead...
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