Cabaret humor is apt to be as brittle as a glass swizzle stick. Moved to the big, turbulent Broadway stage, it usually breaks. But two expert swizzlers have managed the transfer: Betty Comden and Adolph Green. They started in the '30s, in Manhattan's satirical cellar nightclubs, but eventually the two brightest kids underground emerged above ground as two of the sharpest adults writing musicomedy (book and lyrics for Two on the Aisle, On the Town, Billion Dollar Baby). This season Comden and Green are more visible than ever, with two flourishing Broadway...
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