The Disenchanted (by Budd Schulberg and Harvey Breit) treats of Manley Halliday, who. if not wholly Scott Fitzgerald, is very much his blood brother. It treats of him, in a running narrative, in defeat; it shows him, by way of flashbacks, in decline. The razzle-dazzle days of the '20s, the champagne-bath marriage to an irresistible playmate and a hopelessly irresponsible wife, the dropping of bank notes like confetti, have left a writer as drained as his bank account. To get money enough to go on with a book, he agrees to work on a...
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