Golf pros may blow easy putts, a tennis champ double faults, and it is only reasonable to expect on occasion a painter will turn out a turkey, even as great a painter as Rembrandt. But with all due allowances for human frailty, Rembrandt's early St. Bartholomew has long made Rembrandt scholars uneasy. Manhattan's Metropolitan Museum labeled the painting "attributed to Rembrandt" when it was received as a bequest, later returned it to the donor's estate. This week the Worcester (Mass.) Art Museum unveiled a new acquisition that unmasks the mystery: a new version...
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