There was a young lady named Callas Who never did play the old Palace but if she had, she could scarcely have put on a better vaudeville act than she and some of her colleagues did last week at Manhattan's Metropolitan Opera. It began, more or less, during a matinee of Lucia di Lammermoor which was broad cast from coast to coast. Often Callas sang superbly, notably in the famous mad scene, but sometimes she sounded as shrill as static, and during her second-act duet with Baritone Enzo Sordello she dropped her highest note like a hot knife, while Baritone Sordello...
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