The Theater: New Plays in Manhattan, Feb. 21, 1949

Death of a Salesman (by Arthur Miller; produced by Kermit Bloomgarden & Walter Fried) had Broadway in a fever of excitement from the moment it drew out-of-town raves last month. Last week, on Broadway itself, it caused even greater excitement, drew even wilder raves—"superb," "majestic," "great," "a play to make history."

Though such extravagant language was not justified, it was in some sense understandable. Death of a Salesman is no more than an altogether creditable play. But it is also a magnificent try, concerned with something so simple, central and terrible that the run...

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