"Kierkegaard, Kafka, Connolly, Compton-Burnett, Sartre, 'Scottie' Wilson. Who are they? What do they want?" The speaker, a blimpish Hollywood Britisher in Evelyn Waugh's The Loved One, sucked petulantly on his whisky & soda and stared at his outdated copy of Horizon, Cyril Connolly's British monthly for intellectuals. If he had lived long enough to investigate the matter, he might have wondered how Scottie Wilson, a half-educated furniture dealer turned artist, had ever made his list of the big guns in the 20th Century highbrow arsenal in the first place.
London gallerygoers last week...
To continue reading:
or
Log-In
