These are the plays which, in the light of metropolitan criticism, seem most important.
COQUETTEHelen Hayes in the true tragedy of a small-town belle whose father causes her to commit suicide after her lover has seduced her (TIME, Nov. 21).
TWELVE THOUSANDThe history of the U. S. revolution transplanted to the palace of an unscrupulous Prussian Prince (TIME, March 26).
STRANGE INTERLUDEEugene O'Neill looks at a somewhat masochistic lady and the lovers who have not made her happy. Produced by the Theatre Guild, furnished with soliloquies and asides, played by Lynn Fontanne and...