These are the plays which, in the light of metropolitan criticism, seem most important.
MARCO MILLIONSAn elaborate fantasy in which Eugene O'Neill plays Marco Polo for an all-time sucker (TIME, Jan. 16).
STRANGE INTERLUDEEugene O'Neill's nine-act investigation of the sad life and loves of a lonely lady; variously described as foolish, magnificent or pretentious, it is undoubtedly the most important theatrical production of the season (TIME, Feb. 13).
TWELVE THOUSANDThe G a r r i c k Playersespecially Basil Sydney and Mary Ellisin a soft, surefooted and satiric comment on an intimate episode in 18th century history (TIME, March 26).
Other well-regarded serious plays: COQUETTE,...