How To Film A Phantom


TAKE TWO: Schumacher, left, and Lloyd Webber, right, together on set

He shot 2002's Phone Booth in a mere 12 days. But Joel Schumacher knows that some dreams take longer than others. Back in 1988, after St. Elmo's Fire and The Lost Boys had introduced him as a promising if lightweight young American director (and before Batman Forever sealed his place in the upper reaches of the Hollywood hierarchy), Schumacher decided to see Broadway's newest hit, The Phantom of the Opera. Even before he got the chance, Andrew Lloyd Webber, its composer, called him and mentioned that he wanted to bring the play to the...

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