In brassy dignity, an odd-looking contraption stood on the stage of Chicago's Orchestra Hall one night last week. It was a Schellenbaum (bell tree), an instrument of Moorish origin, looking like a brass Christmas tree hung with bells and horse tails. It is the only Schellenbaum owned by a U. S. orchestra. The Chicago Symphony, which got it as a gift from the late Composer Camille Saint-Saëns, trots it out rarely. But last week, when the Symphony began its soth season, its 36th under the still competent baton of stooped, white-haired old "Papa" Frederick Stock, was one of those times.
The audience...
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