Wars may come & go, but the cannonading over the question whether there is or is not a U. S. school in art goes on forever. Meanwhile, art appreciation in the U. S. has come of age with a bang. In 1939 a barrage of art books has been aimed at the public taste. Biggest is Thomas Craven's A Treasury of Art Masterpieces,* a portable gallery of 144 color reproductions ranging from Giotto to Grant Wood. Most aggressive is Peyton Boswell Jr.'s Modern American Painting,† which is as nationalistic as the Spirit of '76.
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