Carpenters, painters, plasterers were making an unholy din in Manhattan's Museum of Modern Art last week. With deeply furrowed brow, Director Alfred H. Barr Jr. had retired to his office and was scowling at an unproductive typewriter. Scattered about the floors were strange objects of wood, rusted iron, marble, plate glass, polished brass. All of them were heavy and a great many of them were extremely large. With 150 paintings, they made up the largest exhibition of abstract art New York has yet seen.
At the crucial instant the U. S. Government gave...
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