With the notable exception of Duveen Bros. Inc., who frequently lend pictures to other exhibitions but never admit the general public to their own, major Manhattan art marts have come to consider themselves semi-public institutions, frequently stage expensive, elaborate loan exhibitions that can bring them nothing but prestige. Well in the top rank of such shows was one that opened in Manhattan's Knoedler Galleries last week, the most complete showing of the works of Toulouse-Lautrec the U. S. has ever seen.
Long a favorite of the world's literati, Artist Lautrec might be just as...
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