With a wave of his straw hat, gracious, gangling Director George Harold Edgell, of the Boston Museum of Fine Arts stepped into the gondola of a police motor-cycle at Cunard's Pier in East Boston last month and went popping through the Sumner Tunnel to Huntington Avenue and the Museum. Behind him in two bunting-draped trucks rumbled the most valuable collection of Japanese art ever to have left Japan. It was the nucleus of an exhibition which opened this week, and which should rival in importance London's great Chinese art exhibition of last winter....
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