Most irrepressible of U. S. music managers is a thickset, moon-faced Russian who travels every year to Europe, observes more new talent, signs more big new conracts than any one man in his risky profession. Solomon ("Sol") Hurok has always had a weakness for Russian perormers. He has managed Efrem Zimbalst, Mischa Elman, Feodor Chaliapin, Anna Pavlova. He spent $75,000 to import the Monte Carlo Ballet Russe (TIME, Jan. 1, 1934 et seq.). Last week in Manhattan Manager Hurok introduced still more Russians: 19 choristers from Paris who call themselves the Moscow Cathedral...
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