No More Ladies (Metro-Goldwyn-Mayer) shows Joan Crawford, Robert Montgomery and Franchot Tone, a variety of white chromium modernistic interiors, a welter of cynical badinage over cocktails and cigarets, the complications of rich idle adultery. It is a pleasant, witty time-waster.
Joan Crawford's big-boned, over-dieted frame, breezing in & out of clothes, has the appeal of cold turkey. Her laborious refinement and sincerity are expertly relieved by the acidities of Edna May Oliver. The plot: Robert Montgomery, non-marrying lady-killer, is talked into marrying Joan Crawford. Because he cannot stop lady-killing, Joan piously makes him...
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