Genesis to Bossoms

Ever since its exhibition at London's Leicester Galleries two months ago, Sculptor Jacob Epstein's white marble Genesis has moved critics and letters-to-the-Times writers to a frenzy of denunciation. "You white foulness!" the Daily Express called it. Punch published tut-tutting cartoons. Last week the U. S. art world learned that the tide had turned. Genesis had found favorable reviews, and a purchaser. Opined the Manchester Guardian:

"The face has a blind dignity and pathos and the forms mount up in strange rhythm from the vast limbs set in a rough base. . . ....

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