In shadowy halls and at the gates of cities, under thatch, under rafter or with no roof but their caps between them and the gaping pocket of night, men played the harpprinces, captains, jongleurs, beggarmen. Their fingers wandered the strings, their heads bent to their music. Last week, the harp was played in Chicago. Enrico Tramonti, harpist of the Chicago Symphony Orchestra, was permitted by Conductor Frederick Stock to play a solo on his instrument. Widor's Chorale et Variations he played. It is a good piece of music, well adapted to harp...
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