Into the lobby of Rockefeller Center's towering RCA Building last week stalked Rental Manager Hugh Robertson, followed by twelve uniformed guards. The procession halted before a huge (63 ft. by 17 ft.) unfinished fresco on the wall facing the doors. Its bright colors and hard, compact figures filled the lobby like a parade. On scaffolding before it stood a big, drooping man with a gloomy face and sad Mexican eyes: Diego Rivera, the world's foremost living fresco painter. A guard called to Rivera to come down from his scaffold. He laid down...
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