Earl Carroll's Vanities are rococo. Florenz Ziegfeld's Follies are smart. And yet, in spite of his overpowering, unwholesome gaudiness. Earl Carroll is probably a better showman than Florenz Ziegfeld. When he puts on his annual durbar there is a spontaneity to its promotion which Producer Ziegfeld strives painfully to attain. One night last week a crowd choked Manhattan's Seventh Avenue to witness the most recent, most important mile stone in Producer Carroll's theatrical career. He was presenting the ninth annual Vanities in the newest, largest U....
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