Best Plays in Manhattan
STREET SCENE—Dramatic diagnosis of tenement house fevers.
JOURNEY'S END—Britons straining to be Martians.
IT'S A WISE CHILD—Fetal, not feeble, farce.
CIVIC REPERTORY THEATRE—Eva Le Gallienne's fine art theatre justifies the name (different play nightly).
STRICTLY DISHONORABLE—Comical, less accessible than the speakeasy which it portrays.
ROPE'S END—Ernest Milton illustrates the psychology of horror.
SUBWAY EXPRESS—Astute villainy, a nice opportunity for crime-solvers.
MANY WATERS—Tender pictures of youth and pain, age and sorrow.
CRIMINAL CODE—The penal system dynamically exposed.