These are the plays which, in the light of metropolitan criticism, seem most important:
Is ZAT So?—Pugilistic comedy that lands risible solar plexus with an awful wallop.
CAESAR AND CLEOPATRA — Shaw comedy wherein a flapper Cleopatra plays verbal hide-and-seek with a superannuated Caesar.
THE POOR NUT—Elliot Nugent in a college comedy which is funny in spite of the atmosphere of learning.
THE FALL GUY—Ernest Truex as the simple drug clerk plays the innocent bystander to a bootlegging plot.
THEY KNEW WHAT THEY WANTED — Sandinavian virginity,...