The close of a concert season is an emotional time for the faithful who have listened all winter. When the fast note has fallen away, shouts rise above the handclapping. The conductor becomes an object of overt adoration, especially if he has won the heart of his audience only recently. So it was last week in Carnegie Hall, at the end of Guest Conductor Wilhelm Furtwangler's third season with the New York Philharmonic. In 1925 he first came as guest conductor, a studious young man from Berlin and Vienna who had pleased...
To continue reading:
or
Log-In