Detroiters visited the Hanna-Thomson galleries last week for a first view of something they had been hearing about from other cities: the Glorification of the U. S. Workingman by Max Kalish, sculptor. Rich men and poor men went, for a Detroit art critic told them: "He deals. . . in the human symbols for certain sterling human qualities—strength, vigor, integrity, the beauty of a well-knit body and the fundamental character essential to a good craftsman. . . . His bronzes . . . should appeal to a large audience in Detroit, a...
To continue reading:
or
Log-In
