These are the plays which, in the light of metropolitan criticism, seem most important:
WHAT PRICE GLORY?—The rattle of bitterness against the glories of warfare put into the machine-gun minds of a pair of tough marines and a French peasant girl.
THEY KNEW WHAT THEY WANTED— A story of infidelity under the grape arbors of California made brilliantly worth while by the presence of Pauline Lord.
THE DOVE−Machine-made theatricals of the Mexican dance hall girl fashioned in the realistic machine of David Belasco.
WHITE CARGO—The bitter blanket...