These are the plays which in the light of metropolitan criticism seem most important:
AREN'T WE ALL—Delightful drawing-room comedy offering Cyril Maude wide scope as a charming old titled rake who parks his brand-new sweeties in the British Museum.
SEVENTH HEAVEN—Up among the Paris chimney pots, Helen Menken suffers to the breaking point the verbal and physical abuse of a shrewish sister. Later she plays the Marseillaise on sister's anatomy with a long black whip and almost everyone but sister is sittin' pretty at the finale.
RAIN—The United States...
To continue reading:
or
Log-In
