With varying degrees of success, photographers and filmmakers have sniffed for
clues about the nature of the creative process by trying to catch painters in
the act of making art. For his 1950 documentary,
Visit to Picasso
, Belgian
filmmaker Paul Haesaerts asked the Spanish master to apply his magical brushstrokes
to large glass plates as Haesaerts filmed from the other side. Around the same
time, Hans Namuth was photographing Jackson Pollock from all angles as the American
artist dripped, splashed and poured paint onto canvas.