Historians may someday call this the golden age of the important British novelist, when a vast and talented cohort of writers now mostly in their 50s Martin Amis, Julian Barnes, Ian McEwan, Graham Swift, Salman Rushdie dominate bookstores and Man Booker Prize lists, as well as talk shows and tabloids. One name, however, might unfairly miss the list: William Boyd, a
contemporary
of the aforementioned and their equal
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in every respect, except perhaps critical plaudits and household fame. There is a reason: Boyd lives a double life.
Since his rollicking 1981 debut,...
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